Roy Lichtenstein’s Oh, Jeff…I Love You, Too…But is just one of his most popular paintings, and some also dare to call it the most renowned painting the has ever made. This item depicts a teenage girl on the phone through her boyfriend Jeff as their relationship shows up to be intimidated by some exterior force. Lichtenstein come up v the subject of this painting and many the his other paintings by copying and distorting solitary panels native comic books. This scene in specific is taken indigenous the DC Comic’s girl Romances and mystery Hearts series. The truth that Lichtenstein blatantly duplicated comic strips was a substantial drawback for viewers and is tho a nuisance to this day. Although some civilization say the his occupational plagiarizes the comic publication artists, countless …show an ext content… every little thing from the outlines to the composition chin is drastically changed to produce a much more aesthetically pleasing painting. His usage of bold colors, special outlines, and also “benday dots supplied in commercial to press imitate the character of cartoons,” (Stokstad 1095). The all at once thickness of the lines renders the picture seem very flat and also cartoon like, yet the variance of the line load does include some dimension. The usage of these thick black outlines speak the viewer the this is not supposed to it is in realistic also though the painting is life size. Every solitary line is in ~ a diagonal, which create a feeling of movement and also direction. The implied line of the woman’s eyesight is in ~ a diagonal line down towards the bottom left corner. Also the letters in the text bubble are comprised of diagonal line lines i beg your pardon give much more emotion come them, as if they space leaning on she lips in hesitation. Lichtenstein’s composition additionally adds come the feeling of the piece. In order to readjust the painting from the source image, Lichtenstein cropped and zoomed in ~ above the image. When looking in ~ the original comic strip, the viewer have the right to see the distinct transforms made in the last painting. The woman’s body runs off every corner, making she seem bigger than life. Even the word balloon overlaps the composition and also the woman herself. The image now reads as if it to be a step from a romantic movie rather of a still panel from a …show much more content… In the mid-1950’s, right after civilization War II, Britain and also American artists started creating art based upon material culture such together movies, television, advertisements, and even comic books. This overlap that art and life had never to be seen prior to “except perhaps partly in the decadent formal exuberance of the twenties” (Osterwold 6). With society watching so very closely at this brand-new artistic phenomena, that no wonder numerous of this artists obtained backlash for their work. Roy Lichtenstein to be no exemption to this criticism. Many people see Lichtenstein’s more recent paintings together mere copies of the original work-related themselves, yet this is proven to be untrue. Lichtenstein chooses particular comics that display a specific archetypical layout or motif for this reason that as soon as he gets rid of a component from the whole, “the step he is illustrating a brand-new and fairly unfamiliar meaning” (Osterwold 184). In Oh, Jeff…I Love You, Too…But, Lichtenstein “ and the resource image to emphasis on far-reaching emotions” in order come emphasize the too many melodramatic scene and also turn it right into a work of arts (Stokstad 1094). In a way, the step is virtually ironic in its display of these extreme emotions v the usage of simple colors and shapes.


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Lichtenstein does this ~ above purpose, in stimulate to talk about the difference between reality and also imagination. By taking a piece of work that is only taken in its original sequence